
“Dabney had the artistic soul of a third-string tight end… His best dramatic moments came when the strain on his face from remembering his lines resembled the emotions he was trying to simulate.”
—Jeffrey Eugenides, The Marriage Plot

“Dabney had the artistic soul of a third-string tight end… His best dramatic moments came when the strain on his face from remembering his lines resembled the emotions he was trying to simulate.”
—Jeffrey Eugenides, The Marriage Plot
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